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April 24, 2014
Posted 1 hour ago · via mopinks   1,189 notes

copslay:

talking to other queer ppl like

image

Posted 1 hour ago · via electratart   84,755 notes

tinyhousesmallspace:

500 Square Foot Studio - Love the cubby bed space! 

Posted 1 hour ago · via gobytheshadow   2,124 notes

kyliekingdom:

You need to love the new Final Fantasy X Summon Art. ♥

Posted 1 hour ago · via darsen 2,087 notes

littleteashi:

"Tea-Bag Books"
I’ve re-edited one of my recent work. Because of that reason I’m posting this again.

littleteashi:

"Tea-Bag Books"

I’ve re-edited one of my recent work. Because of that reason I’m posting this again.

Posted 1 hour ago · via gobytheshadow   641 notes

emmaontheice:

toothian-a:

guardianhiccup:

fawksman:

starksmash:

OMG REBLOG THIS & LOOK AT UR BLOG ITS COMPLETELY DIFERENT

Me

iM  CHIR YING BC THE WAY IT LOOKS ON YOUR BLOG SEND HELP

oh my

i dunt see it

EDIT***:

WHATTHE HELL.

Posted 1 hour ago · via gobytheshadow   668,024 notes

lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

Posted 1 hour ago · via kazecat   52,071 notes


Artist

Artist

Posted 1 hour ago · via it-started-to-rain   986 notes

Posted 1 hour ago · via bliss-chu   5,189 notes

chinjiikari:

walking to the side of pokemon trainers and talking to them first so you feel in control

Posted 1 hour ago · via luigiman   39,367 notes

typette:

John Atkinson Grimshaw (1836-1893) was a Victorian-era painter, notable for his moonlit scenes and landscapes.

these paintings are incredible because we’ve all seen eerie clouds like this, but they’re virtually impossible to photograph the same way we see them. So this guy pained them. This is why painting and art is important. 

Posted 1 hour ago · via joebluefox   110,859 notes

shinycaterpie:

I don’t think the guy was very impressed with the whole being burned thing.

shinycaterpie:

I don’t think the guy was very impressed with the whole being burned thing.

Posted 1 hour ago · via kazecat   7,964 notes

nickfuckface:

parents: “u should be more active”
me: image

Posted 1 hour ago · via seraphim-dream   95,061 notes

Daenerys “someone is going to die” Targaryen face

Posted 1 hour ago · via seraphim-dream   19,853 notes

omocat:

the OMORI kickstarter has been successfully funded just a little over 30 hours of launch!! thank you all so much!!!

this experience has already been very overwhelming and OMORI has already been favorably featured on a whole bunch of gaming blogs websites in the US, japan, and even taiwan!

i will be revealing a few more stretch goals and adding some more gameplay and screenshots from the game these next few weeks. for now, here are some framed drawings used in the OMORI trailer (which were also featured on my graduation wall last week)

stay tuned~~~

so happy to see my baby come to life

PS: reminder that if you would like to play the mac port version of the game, you can still fund it now to help it reach the stretch goal! if it does not reach the goal, you can opt out at any time before the kickstarter ends

Posted 2 hours ago · via omocat 991 notes

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